Inside a perplexing world formed of tempos, frequencies, hues and swarming signals, a one-day theater musical rave takes place. A series of unrepeatable and unpredictable live events of diversion to long rhapsodic aboriginal dreaming.
Convened by Jason Negamax as artistic director, 24:am is comprised of the resulting platforming and artistic collaboration sound work of musicians, producers and composers set up as an acoustic living entity nightclub infinitely in formation through its technical and programatic ties.
For the duration of each of the event’s episodes, the conceit music and sound will be co-created and open ended: An infinite number of musical and sonic possibilities will occur, positioning the singularity of this approach as being one in an infinite number of possibilities. At the presenting venues, the generated music and stacked speakers system will calculate and govern an overpowering and incessant shifting color hue system and lighting structure via a set of telematic influences.
Within a 24-hour ulterior world comprised of sound, radiance, transformation and motion, ceiling-mounted motile units emanate a fragmented weirdly and unsettled spectrum of visible light that changes its hues as a kind of secretion from a moody sound nervous system. An act of imagery control through accelerating ambiguity, distortion and unpredictability.
